Schubert: 'Unfinished' Symphony No.8 1.Allegro Moderato 1.Allegro Moderato In B Minor
Schubert: 'Unfinished' Symphony No.8 1.Allegro Moderato 1.Allegro Moderato In B Minor 슈베르트: 미완성 교향곡 1악장 フランツ- シュ-ベルト: 未完成 交響曲 舒伯特: 未完成的 交響曲 OST 마이너리티 리포트 マイノリティ·リポート 少數派報告 The symphony's first movement is in sonata form, opening softly in the strings followed by a melody sounded by the oboe and clarinet. A typical Schubertian transition consists of just four measures, effectively modulating to the submediant key of G major (mm. 38-41). The second subject group is played by the celli and repeated by the violins. An emphatic closing theme features heavy sforzandi, and is based on continual development of the second subject. An important moment in the first movement occurs in measure 109 (and is repeated in measure 327). In these measures, Schubert holds a tonic 'B' pedal in the second bassoon and first horn under the dominant F♯ chord, that evokes the end of the development in Beethoven's Eroica Symphony. Unfortunately in recent times, a well-meaning (but inexperienced) editor removed this dissonance by altering the second bassoon and first horn part. Conductors must check these parts carefully to make sure that the 'B' pedal is intact.[citation needed] Unusually for sonata form, the opening of the development is the opening theme in E minor, the subdominant, rather than the dominant key which would be expected at the end of the exposition. The development section is extended and features a reworking of the ...
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